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And thanks, of course, to Folsom Street Events. And there may be one or two from Jamie Thrower's Dore Alley photos. Thanks to Miguel Angel Reyes for most of the photos here, mostly from his gallery of 2016 Folsom Street Fair photos. Here is an updated list of Dos and Don'ts of the Folsom Street Fair - the largest leather event in the world. That’s how it goes: The fair changes as you change. This year, my Folsom weekend will start with a fist party.
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At the time, I knew nothing about fisting. Here’s a new one.Īt the time, I had only been an attendee. Reading it now, my previous piece is both problematic and limited. I wrote a previous list of Folsom Street Fair Dos and Don'ts two years ago. Regardless if this is your first Folsom or your 50th, we all could use a primer on proper etiquette. It happens every year in September in San Francisco’s South of Market district. Or the closest thing to it - the Folsom Street Fair, an unapologetic, clothing-optional outdoor celebration of leather, kink, and BDSM. There’s a person dressed up as a pony in full-body fuchsia latex. There’s a crowd of naked men and women sitting in folding chairs on the sidewalk, smoking cigars. There’s a leather drag queen with giant devil horns. Herr is survived by his wife, Valerie daughters Catherine and Claudia and siblings Steven Herr and Judy Bleyer.There’s a dominatrix in rubber leading around her gagged, drooling sub - a grown man in a dog collar with exposed genitals hung with metal weights.
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He meant this as a compliment, sort of, but he also wanted to make sure I wasn’t getting any ideas.”
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The second thing he said to me was that he didn’t want to make a movie of it. “It was the first thing he said to me when we met.
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“Stanley wanted to meet me because he’d liked ‘Dispatches,’ my book about Vietnam,” Herr wrote in Vanity Fair in 2010. He helped write the voiceover narration for Francis Ford Coppola’s “Apocalypse Now” and co-wrote the Oscar-nominated screenplay for Stanley Kubrick’s “Full Metal Jacket.” Herr became friends with the reclusive Kubrick. But it also blew my cover.”Īdmirers of “Dispatches” included some prominent filmmakers, and Herr began a career in movies. “The reception couldn’t have been better, frankly - it couldn’t have been more wonderful,” he told the Los Angeles Times in 1990, around the time he released “Walter Winchell,” a novel about the famous gossip columnist. He moved to London and for years traveled little and gave few interviews. He struggled with depression before “Dispatches” and found the fame from his acclaimed Vietnam work disorienting. “You don’t know what a media freak is until you’ve seen the way a few of these grunts would run around during a fight when they knew there was a television crew nearby they were actually making war movies in their heads, doing little guys and glory Leatherneck tap dances under fire, getting their pimples shot for the networks.”Īlthough he loved writing and storytelling, and as an undergraduate at Syracuse University contributed to a magazine edited by Joyce Carol Oates, Herr only published a handful of books. It is as if Dante had gone to hell with a cassette recording of Jimi Hendrix and a pocketful of pills: our first rock-and-roll war, stoned murder.” Its materials are fear and death, hallucination and the burning of souls. “’Dispatches’” is beyond politics, beyond rhetoric, beyond ‘pacification’ and body counts and the ‘psychotic vaudeville’ of Saigon press briefings. “If you think you don’t want to read any more about Vietnam, you are wrong,” critic John Leonard of The New York Times wrote when “Dispatches” came out. “Dispatches” is often ranked with Tim O’Brien’s novel “The Things They Carried,” Neil Sheehan’s “A Bright Shining Lie” and Stanley Karnow’s “Vietnam: A History” as essential reading about the war. With a knack for eavesdropping and a reverence for Ernest Hemingway, Herr was part of the New Journalism wave that included Tom Wolfe, Truman Capote and Norman Mailer and advocated applying literary style and techniques to traditional reporting. Knopf, which released “Dispatches” in 1977, two years after the U.S. His death Thursday in an upstate New York hospital was confirmed by publisher Alfred A. Michael Herr, the author and Oscar-nominated screenwriter who viscerally documented the ravages of the Vietnam War through his classic nonfiction novel “Dispatches” and through such films as “Apocalypse Now” and “Full Metal Jacket,” died after a long illness.